With standard Godardian insouciance it’s all filmed in contrasty black-and-white, in and all around modern day Paris, but its enduring enchantment is the combination of don’t-care larkishness, amiable large lug Eddie Constantine carrying out his challenging-dude detail, and a profound underlying seriousness drawing cogent connections between the brutality of fascism https://www.youtube.com/watch?v=Dq3IdUqMXW4&t